Kaththi aka Kathiressan is a petty thief, who is currently in Kolkatta State Prison. Meanwhile Jeevanandam a Kaththi look alike is spear heading the moment for farmers against corporate land grabers back home. How the paths of these two diametrically opposite characters cross forms the rest of the story.
The basic story line may not be innovative but the way an important message has been conveyed through the film both entertainingly and effectivevly is where the success of Kaththi lies in.
AR Murugadoss first of all deserves all the credits in the world for 1
1) The poerful, impactful, emotional dialogues in the film
2) Conveying the message entertainingly without being preachhy, eventhough few might feel lag/drag here and there as the movie runs close to 3 hours and is not your regular mass masala movie
3) The way the movie has been written, packaged and presented
4) and most importantly for keeping the identity of Jeevandam till the very end and not going opting gallery pleasing techniques
Now the importance of 4th point becomes more clear once you watch the movie. The Kathiresan Avatar we have seen many times, but as Jeevanandam you will get to see a never seen before Vijay. He was too good in emotional scenes, something which was not his forte, a complete down to earth character, with 0% mass/commercial elements, perhaps played for the first time by Vijay, and he comes out with flying colors [The film is a must watch for all the admirers of the actor, just for this character].
As Kathireesan Vijjay is in his comfort zone and delivers the character with typical Ilayathalapathy mannerisms and naughtiness and mass. The actors who played the old villagers were good too. Sathish as the side kick was good. Samantha really has nothing much to do, and the film didn't require a heroine in the 1st place. But thankfully the scenes between Vijay-Sam is noway irritating/boring like the scenes with Kajal in Thuppakki. Neil was okay as the villain, tried to repeat Vidyut success, but nowhere near.
Anirudh scored heavily with the background sscore, another highpoint of the movie. With the movie the songs sounds/looks good too. Cinematography was good, high points being the Coins fight scene and tunnel scene.
The film has adequate aaction and that too not over the top. There are no unnecessary punchlines either, but even the BG score or a visual with no music cant sent the theater go bezerk, thanks to ARM's intelligent craftmanship.
The highlights of the movie are
1. Press Meet
2. Coin fight scene
3. Tunnel Scene
4. Last scene with 'Yar petha mavano' in the background
In all Kaththi offfers perfect blend of mass and class which sends a very good message and is not your typical Vijay mass masala. If you have the time to invest and love Vijay the actor more than the superstar Kaththi is a must watch.
Thank you for reading & if i have typed Jagadeeshan instead of Jeevandam anywhere, requesting you to read it correctly.
Cast Prithviraj Sukumaran as Krishnanunni Reenu Mathews as Sarah Asif Ali as Shabab Sanusha as Annamma Neeraj Madhav as Narayankutty Nedumudi Venu as Nobilettan Chemban Vinod Flower Battsetseg Sudheer Karamana Salam Bukhari
Directed by Anil Radhakrishnan Menon Produced by Santosh Sivan, Shaji Nadesan, Prithviraj Sukumaran Written by Anil Radhakrishnan Menon Music by Rex Vijayan (songs), Sushin Shyam (BGM) Cinematography Jayesh Nair Edited by Manoj Kannoth Production August Cinema Distributed by August Cinema Release date(s) September 6, 2014 Country India Language Malayalam
Seven Jail inmates cum cell mates who begin as strangers develops a bonding between them as they knows about each others past. Among them Krishnanuni's & Nobilettan's story is the most tragic one and once they comes to kow that both have a common enemy, the '7' decides to take revenge, once they all get out. How will they take their revenge, will they succeed, will the 'robber' in them take over the 'cause' etc gets explained in the remaining reels of Sapthamashree Thaskaraha(Seven Gentlemen Thieves)
SST is one of the best entertainers to come from Mollywood this year. The film is a whole some entertainer. There is plenty to laugh, clap, cheer and get thrilled. The first half of the movie, which deals with flash back stories of the '7' and the hatching of initial plan, is excellent. The 2nd half where the final plan comes into being and is executed is above average. The writer do resort to 'coincidences' and takes many 'cinematic liberties' in the 2nd half which can raise questions like But, why, who etc ... But still it has been made sure to not cross the limits our insult our common sense. The post climax even though was predictable was presented well.
Even though Prithviraj is the face of the film he is just a part of the gang and if you count the screen time and impact on viewers can be called as doing extended cameo, same as the case with Asif Ali. Its Chemban Vinod who shines through out getting most of the claps, he was Howlarious, so was Neeraj Madhav with his cute innocent expressions. Sudheer Karamana was excellent as the 'Kili Poya' Goonda. Nedumudi Venu, Prithvi, Asif, Salaam, Reenu, Sanusha were good as well. Its rarely we see a movie where every single character impresses the viewers. Dir. (Amen) Lijo Jose Pellissery was the surprise package of SST. He was too good as the jovial Priest.
Radhakrishnan who won both the National & State awards for his debut
movie, this time has taken the film a notch higher. His writing too, especially in the first half, is excellent. The dialogues were too good. The Thrissur flavor, which every body generally likes, is there in plenty. Music is good, Back ground score is excellent. Cinematography, editing were okay.
SST is a film that can be watched by any one and everyone. It entertains sans any mass or masala, over the top action, loud crass humor, double meaning dialogues etc. This festive season, let these 7 thieves steal to bring you happiness and a nice time at the cinemas.
Kalabhavan Shajon, Mythily, Nedumudi Venu, Siddique, K. B. Ganesh Kumar, Suraj Venjaramoodu, Lalu Alex, Geetha Vijayan, Valsala Menon, Neena Kurup, Saju Kodiyan, Suresh Krishna, Dharmajan Bolgatty, Dinesh Panicker, Vinaya Prasad
Director: Sudheesh Sankar
Producer: R.V. Chaudhary
Music: S.A. Rajkumar
Lyrics: Murukan Kattakkada, Rafeeq Ahmed
Cinematography: Anil Nair
Art Direction: Sujith Raghav
Screenplay: Dinesh Pallath
Story/Writer: Dinesh Pallath
Siddarthan lends money, runs vegetable shop etc to feed not only his family but three other families too. He is ready to do anything to keep them happy. His path often cross with Narmada an ad film make, the conflicts which slowly gives rise to romance. There is a story to why Siddarthan's father is in jail and who are the 3 families he is looking after, all of which explained in the following reels.
The film begins as a typical Dileep entertainer, but then changes rack to emotional soap like drama (the debutant director has yielded Mega Serials in the past) to revenge drama and ends up an unsatisfying, boring 'Avial'. Even most of the jokes in the initial reels falls flat, except a few from Dharmajan and Dileep. The first half can be called watchable, but the later one just test the viewers patience. It lags and drags like hell.
Dileep is totally out of form once again nafter Avatharam and the supporting cast except Dharmajan offers nothing much. Namitha and Mythili are there for namesake. The direction was average the script was bad. There is nothing much to tell and the dialogues are flat too. Cinematography was good, editing should have been crispier. The film at about 168 mins is too long. The music is average eventhough they have been choreographed and shot well. Action choreography was also good.
'Villali Veeran' is not your regular mindless Dileep comedy mass entertainer. It is long, slow, boring and most importantly sans any good humor (both in terms of quality and quantity)
Directed by Ajai Vasudev
Produced by M. K. Nasser, Stanly Silvester Consera
Written by Udayakrishna, Siby K. Thomas
Music by Karthik Raja, Berny-Ignatius
Gopi Sunder (Background score)
Edited by Mahesh Narayanan
Distributed by Play House Release, PJ Entertainments (Europe), Nanma cinemas (Australia)
Release date(s) September 5, 2014
Mammootty as Shekharan Kutty.
Raai Laxmi as Radha.
Joju George as Ayyappan.
Unni Mukundan (Guest appearance)
Shamna Kasim (Guest appearance)
Shekharan Kutty is the manager at a Petrol pump, who also runs his own restaurant adjacent to it. He is living happily with his wife Radha and daughter. His peaceful life goes for a toes as few goons from the north enters the scene, who go after Shekharan and his family thinking he is not the simple guy who he portrays to be, instead the dreadful goon Raja from Mumbai.Who is Shekharan, who is Raja, what's their story, how all issues are settled forms the rest of the story.
The story is lifted from Rajnikanth's iconic 'Baasha' [The very same writers wrote 'Kochi rajavu' (2005) a rehash of Baasha again !!! ] but lacks the punch of the original. The film begins as a family film and shifts gears to action mode from interval block. The much talked about before release 'transformation' scene just fells flat ans instead of wolf whistles evokes yawn or (unintentional) laughter as Mammooty clearly looked uninterested in the proceedings. No matter how over the top or ridiculous the action scenes may be, the attitude of actor can make a difference, sadly here it isn't the case here. Mammootty not being a great 'mover' also had its -ve impact as he was just standing there swinging his arms and legs and the villains just comes rushing in and goes flying back.
The second half which begins with flash back sequences also fails to create the impact, Mammootty's weird Don getup also doesn't serve any good. From there own its just going with the proceedings for the audience till the end credits roll.
Ajay Vasudev shows promise as director, in the league of Vysakh. The movie has pace and there's not much of a lag or drag. The script is just rehash of rehashes and there's not even a moment of uniqueness or surprise element in it. It just evokes a sense of Dejavu and yawn. Cinematography was good, editing was efficient except mass scenes which were ruined by ages old flash cuts. Music was disappointing, a song including video lifted from 'Dookudu' and another one from a kids album. Action blocks lifted from Telugu movies like 'Brindavaanam' etc, scenes/story elements from 'Runway' 'Kanmadam' etc where also there. Action choreography was bad, should have kept the lead actor and gone with his image style and within his comfort zone. The dialogues were also ordinary as there is nothing worth mentioning.
Mammooty should stop doing such crap movies, if he looks this disinterested imagine how the viewers would be feeling. Joju impresses even though his role serves the same purpose Baburaj's role had in 'Kammath'. Rest of the cast just did what they had to, nothing worth mentioning.
In all Rajadhi Raja is not worth waiting time or money this festive season unless you are a die hard fan of Mammootty the star. To those who last week suddenly discovered some undead brain cells & 'logics' in their head, if those are still active please stay away from this film.
Unable to stand the ever growing popularity of Jaganathan & considering him to be a threat to his 'seat' Minister Francis Kunjappan when got a chance tricks and send him to the United States of America to help 'Sunny' his relative who is he campaign manager of John Kory, standing for contesting election for the Governor's post in the state of California. What happens as Jagan and his close aides Jabbar & Varkkey reaches USA forms the rest of the story.
"Please switch off your mobile phones & logic" is the message that welcomes you into the movie, being of spoof & satire genre there can't be a better hint for things to come (Also warning note for the so called intellectuals ;-) ). ["Alcohol consumption is injurious to health, wealth etc etc... is another funny note that could be spotted in the fast moving titles].
The titles are shown with some of the iconic dialogues of Mohanlal, which was a interesting thought. The 1st one hour of the movie went in rocket speed, with tons of laughter, Mohanlal playing it to the gallery, very well supported by Baburaj & co. Towards interval the pace slows down and the 'very long' 1st half ends on a good note. Eventhough the second half is comparatively shorter in length (felt so !) it couldn't match upto the initial one as the fun factor reduced and too many sub plots and silly twists took the fun away from the movie. But still the one man entertainment troupe fondly called 'Lalettan' binds everything together. Climax was okay, especially if you remember the 'warning note' shown first.
Peruchazhi takes a dig at the Indian Political system and our Politicians. Its a spoof / imaginary story on what happens if cultural exchange happens in the field of politics between the World's 2 biggest democracies. There is no point on applying logic in such movies, take Hollywood for eg, or even 'Tamil Padam' for that matter. Such movies are just made for fun, but where Peruchazhi suffers is that its too long, by atleast 20 mins and the fun part is missing greatly in the 2nd half. The romantic thread was completely unnecessary and weird. The item number could have been cut short and the action block in the 2nd half was not upto the mark.
Mohanlal is once again seen in all his elements, everything a fan expect from him has been cleverly incorporated which he beautifully delivered. Apart from few scenes he was looking good and energetic too. Baburaj after a small gap is back to his 'comic ways' and his combo with Lal brought the entire house down on multiple occasions. Aju had nothing much to do & Ragini event though looked gorgeous got a completely unnecessary character. Mukesh was good, but his role was limited and the much cherished, loved Lal-Mukesh magic wasn't there. Vijay Babu was very good and Ramesh Pisharody scored in what ever (limited) scenes he got. Among the foreign actors Sutton and Johnn Wusah was impressive.
Direction was average and the script wrote by Director himself lot the steam mid way. Its the actors along with Ajayan Venugopalan (Akkara Kazchakal fame)'s dialogues that made the film entertaining. Camera was good, captured USA in its glory & Editing was efficient. Music was good (but Lyrics wasn't) and the Background score simply rocked. Special kudos to Blaaze.
In all 'Peruchazhi' is a typical LALtainer, even though it falls short of the humongous expectations the makers created pre-release.
Must Watch for all Mohanlal fans and one time watch for others (Except those pseudo-intellectuals :p)
Peruchazhi gets the widest release ever release for a Malayalam film outside Kerala. The film in addition to the paper ads posted here is releasing 30-40 more screens in Rest Of India, in total about 130 screens. All India screen count is 260+ as Multiplexes are increasing shows and playing in additional screens due to huge demand for tickets. Film is also releasing in many international markets for sure. Peruchazhi is sure to set the biggest opener record tomorrow, If not All Kerala, for sure All India & Worldwide
Produced byRenjith for Gold Coin Motion Picture Company
Screenplay byUnni R
Edited byBeena Paul
Mammootty as C.K. Raghavan
Aparna Gopinath as Anjali Arakkal
Joy Mathew as Chandraji
Went to watch the movie after hearing lots of positive reviews, and (only) because of that I felt slightly disappointed once the movie ended. 'Munnariyippu', ('Warning', even though the tag line reads 'The Deadline') is the story of CK Raghavan a convict who has been in prison for the past 20 years, spenting more time than what he was sentenced for. Anjali who enters the scene to ghost write the Jail Superintend, instead becomes more interested in CK's case, cause as he always says she too believes that he is innocent.
CK finallyy gets released and Anjali take him under her his protection, only to get the materials she need to pen a book on him, for which she had signed a contract with a huge publishing company. CK's inability to write brings trouble for Anjali as pressures for all quarters begin to crumble her. Will CK help Anjali finish the book, will we get to know the 'truth' etc forms the rest of the story.
The film begins interestingly and manages to grab our attention from the word go. The build up to the story is very good and by interval time the story is setup nicely. In the second half the writing looses its grip as it keeps on beating around the bush. Even with 115min run time it drags considerably in the 2nd half. adding to the woe was the completely unnecessary cameo by Prithviraj. The film do end with a shocking climax, but felt asif they just wanted to fill the screen time with random scenes till it reach a decent run time before shocking the audience with the climax, even though it got opposite reaction from the crowd.
The film is meant for serious movie goers who like to think deep into movies. The might be able to find the 'reasons' for things depicted in the movie which sadly goes unexplained in the film. 'Munnariyippu' may not be a majority's cup of tea but surely I will recommend this if u want to try something new, than the run of the mill stuff generally offered. The critics have unanimously given +ve reviews, but going by the audience response looks like the people are on the opposite corner this time.
Aparna is the character that drives the movie forward and gets more screen time. She excelled as Anjali , hope gets much better roles in the future to 'perform'. Mammootty had to underplay his actions and emotions to portray CK which he as always did beautifully. This is indeed one of the best outing of him in recent times, making the film a must watch for the fans of the legend's 'acting'. Rest of the cast also did good job. Evven though Unni's script had flaws the dialogues were very good. Venu directed the film very well too, kudos for not resorting to art house movie type narration. The BG score is a huge turn off. Gives a feel that we are watch an art movie event though the narration is much faster.
Recommending for serious movie lovers, thinkers and fans of Mammootty's acting !!